Friday, January 14, 2011

How to blur water for a creative effect


DSLR Tips Workshop:

When it comes to photographing moving subjects, you’d naturally assume freezing the action would give the best result. That’s certainly the case for some subjects, but others can end up looking static and lifeless. Waterfalls and rivers are classic examples which can take on a far more dramatic appearance when the water itself is blurred.


In the photo above left, we’ve used the camera’s automatic settings, and a relatively quick exposure has frozen the water in its tracks – as a result it looks lifeless. In the photo above right, we’ve adjusted the shutter speed for a slower exposure which has blurred the water, giving both a dreamy appearance and a far greater impression of motion. In our video tutorial below, we’ll explain how to achieve this effect, and at the bottom of the page you’ll find a reminder of the steps you’ll need to take.

Checklist: Blurring water for a creative effect

1: Switch your camera to Shutter Priority mode by turning the mode dial to ‘S’ or on Canon models, ‘Tv’.

2: Choose a slower than normal shutter speed to blur the water. 1/30 is a good starting point.

3: Check your photo. If the water isn’t blurred enough, choose a slower shutter speed like 1/15 or 1/8. Note you may need a tripod or an anti-shake system to avoid camera shake – see below.

4: In shutter priority, your camera will work out the aperture setting for you. If the f-number starts flashing though, it means it can’t balance the shot. In this example, the exposure may be too long, so if your sensitivity (ISO) is already at the lowest number, you’ll have to choose a slightly quicker shutter speed until the f-number stops flashing.

5: After taking your photo, remember to set the mode dial back to Auto or Program mode.


Watch out!

As you reduce the shutter speed, you become more susceptible to camera shake. People vary, but if you’re using a kit lens zoomed-out to wide angle without any kind of anti-shake, the slowest handheld exposure you’ll normally get away with is about 1/30. If you naturally shake, you may need at least 1/60, but if you’re very steady, then you may be ok at 1/15. If you zoom-in at all, you’ll need faster exposures to compensate for the greater magnification.

So when applying this technique to blur water, always hold your camera very steady. Tripods can provide a steady base, or alternatively cameras and lenses with anti-shake facilities can greatly help here – see below. If you are using a tripod, remember pressing the shutter release button can still wobble your shot. So always take the photo with either a shutter release cable or the self-timer to avoid all chance of shake.

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